American String Quartet
With: Andres Diaz
Friday, February 21st
7pm: Cocktails | 8pm: Performance
GA: $40 in Advance | GA: $45 Day Of
GA: Student Price – $5*
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American String Quartet With Guest Andres Diaz
Internationally recognized as one of the world’s finest quartets, the American String Quartet has spent decades honing the luxurious sound for which it is famous. The Quartet will celebrate its 46th anniversary in 2020, and, in its years of touring, has performed in all fifty states and has appeared in the most important concert halls worldwide. The group’s presentations of the complete quartets of Beethoven, Schubert, Schoenberg, Bartók, and Mozart have won widespread critical acclaim, and their MusicMasters Complete Mozart String Quartets, performed on a matched quartet set of instruments by Stradivarius, are widely considered to have set the standard for this repertoire.
The Quartet’s diverse activities have also included numerous international radio and television broadcasts, including a recent recording for the BBC; tours of Asia; and performances with the New York City Ballet, the Montreal Symphony, and the Philadelphia Orchestra. Recent highlights include performances of an all-sextet program with Roberto and Andrès Díaz, many tours of South America, and performances of the complete Beethoven cycle of string quartets at the Cervantes Festival in Mexico and the Tel Aviv Museum in Israel.
The American’s additional extensive discography can be heard on the Albany, CRI, MusicMasters, Musical Heritage Society, Nonesuch, and RCA labels. Most recently the group released “Schubert’s Echo,” which pairs Schubert’s monumental last quartet with works bearing its influence by Second Viennese masters Alban Berg and Anton Webern. This repertoire posits that the creative line from the First to the Second Viennese Schools is continuous – and evident when these works are heard in the context of each other.
As champions of new music, the American has given numerous premieres, including George Tsontakis’s 2015 Quartet No. 7.5, “Maverick,” Richard Danielpour’s Quartet No. 4, and Curt Cacioppo’s a distant voice calling. The premiere of Robert Sirota’s American Pilgrimage took place in September 2016, and will be performed around the U.S. in the cities the work celebrates. In January 2009 the Quartet premièred Tobias Picker’s String Quartet No. 2 in New York City in celebration of the 90th anniversary of the Manhattan School of Music.
Formed when its original members were students at The Juilliard School, the American String Quartet’s career began with the group winning both the Coleman Competition and the Naumburg Award in the same year. Resident quartet at the Aspen Music Festival since 1974 and at the Manhattan School of Music in New York since 1984, the American has also served as resident quartet at the Taos School of Music, the Peabody Conservatory, and the Van Cliburn International Piano Competition.
Peter Winograd, violin
Laurie Carney, violin
Daniel Avshalomov, viola
Wolfram Koessel, cello
Díaz was born in Santiago, Chile in 1964, and began studying the cello at the age of five. Three years later he moved to Atlanta, Ga., and studied at the Georgia Academy of Music with Martha Gerchefski. Díaz graduated from the New England Conservatory, where he worked with Laurence Lesser and Colin Carr, and currently plays an active role in chamber music performances with the Conservatory’s faculty. He served for five years as Associate Professor of Cello at the Boston University and Co-Director of the Boston University Tanglewood Institute Quartet Program, resigning in September 2001. Díaz now lives in Dallas, Texas, with his wife Julie and sons Peter Manuel and Gabriel Andrés. Presently, he is Professor of Cello at Southern Methodist University. During his spare time Díaz races his 1997 Dodge Viper. He plays a 1698 Matteo Goffriller Cello and a bow made by his father, Manuel Díaz.
Díaz’s numerous orchestral appearances have included return engagements with the Atlanta Symphony under the late conductor Robert Shaw; performances with the American Symphony at Carnegie Hall; the symphony orchestras of Milwaukee, Seattle, and Rochester under Christopher Seaman; the Boston Pops and Esplanade Orchestras; the Chicago Symphony at the Ravinia Festival with Edo de Waart conducting; and the National Symphony Orchestra. Among the highlights of Díaz’s recent seasons are tours of Taiwan, Hong Kong, Korea, Japan, Hawaii, and Canada performing in recital and with orchestra; appearances in Chile, Venezuela, Argentina, and the Dominican Republic; a series of concerts in the Soviet Union where he performed as soloist with Russia’s Saratov Symphony in the cities of Saratov and Moscow; and a tour of the major cities in New Zealand with the New Zealand Chamber Orchestra.
Díaz is very active with the Díaz String Trio, featuring violinist Andres Cardenes and violist Roberto Diaz. The trio has performed in the cities of Pittsburgh, Washington, Boston, Los Angeles and Miami; at the Kuhmo Festival in Finland, the International Festival of St. Cypriene and the Casals Festival in France; and they have toured extensively in South America, Mexico and Canada. They released its first recording featuring the music of Paganini on the Dorian label. A second recording was released in 2003, featuring music by Penderecki, Dohnayi, and Beethoven.
Díaz holds The Koerner Chair in Cello at The Glenn Gould School of the Royal Conservatory of Music in Toronto.
Quartet in C minor, Op. 18, No. 4 Ludwig van Beethoven
Allegro ma non tanto
Scherzo. Andante scherzoso quasi Allegretto
Quartet No. 7 in F-sharp minor, Op. 108 Dmitri Shostakovich
– INTERMISSION –
Cello Quintet in C major, D. 956 Franz Schubert
Allegro ma non troppo
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