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Jazzy Nights Presents:

Multi-Grammy® Award Winner

Cécile McLorin Salvant

With Sullivan Fortner

Wednesday, October 13th

6:30pm: Cocktails | 7:30pm: Performance

GA | $45

Day of Concert | $50

Table of 4: $225 | Table of 8: $450*

*Tables Sold Out

GA Student Price | $10*

*Students must show valid student ID at box office or at will call

GA = First come, first served seating

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Call the box office for more info:
239.333.1933

Generously underwritten by: Eunice & Alexandra Bremner

About Cécile McLorin Salvant

Cécile McLorin Salvant, is a composer, singer, and visual artist. The late Jessye Norman described Salvant as“a unique voice supported by an intelligence and full-fledged musicality, which light up every note she sings”. Salvant has developed a passion for storytelling and finding the connections between vaudeville, blues, folk traditions from around the world, theater, jazz, and baroque music. Salvant is an eclectic curator, unearthing rarely recorded, forgotten songs with strong narratives, interesting power dynamics, unexpected twists, and humor. Salvant won the Thelonious Monk competition in 2010. She has received Grammy Awards for Best Jazz Vocal Album for her 3 latest albums, “The Window”, “Dreams and Daggers”, and “For One To Love”, and was nominated for the award in 2014 for her album “WomanChild”. In 2020, Salvant received the MacArthur fellowship and the Doris Duke Artist Award.

Born and raised in Miami, Florida, of a French mother and Haitian father, she started classical piano studies at 5, sang in a children’s choir at 8, and started classical voice lessons as a teenager.

Salvant received a bachelor’s in French law from the Université Pierre-Mendes France in Grenoble while also studying baroque music and jazz at the Darius Milhaud Music Conservatory in Aix-en-Provence, France.

Salvant’s latest work, Ogresse, is a musical fable in the form of a cantata that blends genres (folk, baroque, jazz, country). Salvant wrote the story, lyrics, and music. It is arranged by Darcy James Argue for a thirteen-piece orchestra of multi-instrumentalists. Ogresse, both a biomythography and an homage to the Erzulie (as painted by Gerard Fortune) and Sara Baartman, explores fetishism, hunger, diaspora, cycles of appropriation, lies, othering, and ecology. It is in development to become an animated feature-length film, which Salvant will direct.

About Sullivan Fortner

For the past decade, Sullivan Fortner has been stretching deep-rooted talents as a pianist, composer, band leader and uncompromising individualist. The GRAMMY Award-winning artist received international praise as both key player and producer for his collaborative work on The Window (Mack Avenue, 2018), alongside multi-GRAMMY winner, vocalist-composer Cecile McLorin Salvant. As a solo leader, he has released Moments Preserved (Decca, 2018) and Aria (Impulse!, 2015) to critical acclaim, and he’s only getting started. This past year, Fortner earned recognition in multiple DownBeat Critics Poll categories, winning first place in Rising Star Piano and Rising Star Jazz Artist.

In addition to associations with such diverse voices as Wynton Marsalis, Paul Simon, Diane Reeves, Etienne Charles and John Scofield, Fortner’s frequent and longtime collaborators have included Ambrose Akinmusire, Dee Dee Bridgewater, Stefon Harris, Kassa Overall, Tivon Pennicott, Peter Bernstein, Nicholas Payton, Billy Hart, Gary Bartz, Christian Scott aTunde Adjuah, Fred Hersch and the recently departed Roy Hargrove. The highly-sought improviser has performed across the country and throughout the world at such cultural institutions as Jazz at Lincoln Center, Jazz Standard, Smalls Jazz Club, Snug Harbor and Sweet Lorraine’s, as well as celebrated festivals, including at Newport, Monterey, Discover, Tri-C and Gillmore Keyboard, among others. In 2019, he brought his band to the historic Village Vanguard for a week-long engagement as a leader. Fortner’s notable studio contributions include work on Etienne Charles’s Kaiso (Culture Shock, 2011), Donald Harrison’s Quantum Leap (FOMP, 2010), and Theo Croker’s The Fundementals (Left Sided Music, 2007).

Ticket Policy

All sales are final. There are no refunds or exchanges on tickets except for cancelled events that are not rescheduled. SBDAC does not offer refunds on purchased ticket. In rare circumstances when a performance may be cancelled (due to extreme weather, artist absence, or other unavoidable situations) we offer refunds or replacement tickets for another performance.

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