Class Details
Thursday July 9th
6:00pm – 9:00pm
$60
WORKSHOP DESCRIPTION
The city never truly goes dark. After sunset, neon signs pulse against wet pavement, streams of headlights become rivers of light, and the shadows between streetlamps grow deep enough to swallow a story whole. Neon Noir is a three-hour evening workshop that teaches you to see that world — and photograph it with intention.
Rooted in the cinematic tradition of Brassäï, whose iconic Paris de Nuit transformed nocturnal city streets into works of art, this workshop blends the historical aesthetics of Neo-Noir photography with hands-on technical training. You will leave not just knowing the settings — you will understand why those settings work, and you will have real images on your card to prove it.
The workshop moves from classroom to street and back again. The first hour demystifies night photography: how to read a histogram in darkness, why exposing to the right matters more at night than any other time, how to manually focus when your autofocus hunts and misses. Then you take it outside. Under the evening sky of Fort Myers, you will chase light trails from passing traffic, work with shadows to build mood, and discover that the city after dark is one of the most generous subjects a camera can have. The final session brings everyone back inside to review the night’s work, discuss what succeeded, and get an introduction to the post-processing techniques that turn a strong raw file into a finished image.
WHAT YOU’LL LEARN
- The Neo-Noir aesthetic — using shadow and contrast as storytelling tools, not just technical challenges to overcome
- How to read your histogram in darkness: the single most important skill for consistent night exposures
- Manual focus in low light using the Live View zoom method — essential when autofocus fails
- Exposure science for night shooting: ISO management, aperture choices, and shutter speed strategy
- “Dragging the shutter” to capture cinematic light trails from moving vehicles
- The 500 Rule and NPF Rule for sharp results over long exposures
- How to neutralize urban light pollution using natural night filters
- Introduction to post-processing: exposure blending and noise reduction workflow
- The legacy of great night photographers — Brassäï, Michael Kenna — and how their vision informs yours today
WORKSHOP SCHEDULE
|
SEGMENT |
TITLE |
CONTENT |
|
Hour 1 — Indoors |
The Cinematic Night |
Neo-Noir history & masters • Exposure triangle for night • Histogram mastery & ETTR strategy • Manual focus technique • Shutter drag & light trail theory • Gear setup & field prep |
|
Hour 2 — Outdoors |
Into the Night (Field Shoot) |
Guided evening photo walk in Fort Myers • Capturing live light trails from traffic • Working shadow and highlight contrast • Real-time instructor guidance • Finding your decisive moment in motion |
|
Hour 3 — Indoors |
The Digital Darkroom |
Group image review & peer critique • Exposure blending introduction • Noise reduction workflow • Q&A and next steps for continued night photography practice |
WHAT TO BRING
- DSLR or mirrorless camera with manual mode capability (required)
- Sturdy tripod — essential for any long-exposure night work
- Wide-angle to standard zoom (16–35mm ideal; fast prime f/1.4–f/2.8 is a bonus)
- Remote shutter release or plan to use your camera’s 2-second self-timer
- At least two fully charged batteries — cold air and long exposures drain power quickly
- Extra memory cards
- Comfortable walking shoes for the evening photo walk
- Optional: small flashlight or headlamp for adjusting settings in the dark
A laptop is not required for the post-processing segment. If you wish to follow along with editing, a laptop with Lightroom or Photoshop is welcome.
WHO IS THIS WORKSHOP FOR?
This workshop is designed for intermediate photographers who are comfortable shooting in manual mode and understand the basic relationship between ISO, aperture, and shutter speed. No prior night photography experience is required. If you have been shooting in auto or aperture-priority mode and want to take full control of your camera in challenging low-light situations, this workshop will give you the framework and the hands-on practice to do exactly that.
Photography Instructor
Kevin Boller
Kevin Boller is a Fort Myers-based commercial and luxury product photographer, educator, and the founder of Insight Image Studio. A photographer since the age of twelve, he has spent more than two decades building a practice that spans editorial, commercial, and fine art photography — with images published in more than thirty editions of glamour and fashion magazines worldwide and work exhibited in galleries across three countries.
Before committing to photography full-time, Kevin spent nearly two decades as a data scientist. That background shapes the way he approaches both his commercial work and his teaching: analytically, directly, and with a genuine interest in understanding why something works before trying to replicate it. Students in his workshops should expect honest feedback, clear reasoning, and none of the vague encouragement that fills too many creative classes.
Kevin is deeply invested in the photography community across Florida. He serves as a Director on the board of the Florida Professional Photographers (FPP), Director of the Florida School of Photography, and board member of Image Creatives, LLC in Southwest Florida. He teaches monthly workshops through Lee County Parks and Recreation and has instructed Sports Photography at Florida Southwestern State College, and worked with the National Scouting Combine to capture D1 level college athletes.
In 2026, Kevin joined the Sidney & Berne Davis Art Center as an official Photography Partner, where he is developing a comprehensive multi-course photography curriculum designed to serve students at every stage of the journey — from the first camera through advanced technique.
His teaching philosophy begins with a single conviction: the camera is the last tool you learn. The first is learning to see.
For More information Please Contact:
Michael Kincaid
Sidney & Berne Davis Art Center
email: michael@sbdac.com
